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Author Topic: PRS back down over Youtube  (Read 2743 times)
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Nobby
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« on: May 28, 2009, 06:32:59 AM »

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Last year YouTube owner Google disputed how much money it paid the PRS, the society that collects royalties for composers and musicians, which resulted in the blocking of premium music videos supplied by record labels.

However now that the PRS has decided to charge digital sites 0.0085p per track instead of the former rate of 0.22p, a return of streamed music to the video-sharing sites is expected.


A YouTube spokesperson said: “We welcome any efforts to make licensing costs more realistic, but as we're still in discussions with the PRS to agree license terms for YouTube we're unable to comment further.”

The new PRS rate will apply for the next three years and seems to have been met with widespread approval from the digital music industry.

http://www.telegraph.co.uk/finance/newsbysector/mediatechnologyandtelecoms/5394924/Streamed-music-could-return-to-YouTube-as-PRS-cuts-royalty-rate.html

Seems the music cartel finally realised they cannot force their will on others and that they DO need other entities to promote their products, in a nice little back down. The good news is common sense prevails and this could see recently blocked music returning to youtube.

I would however love to see a breakdown of how the prs distributes the income, now that would be interesting.
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« on: May 28, 2009, 06:32:59 AM »

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Matt Bennett SEO
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« Reply #1 on: May 28, 2009, 09:12:40 AM »

What a u-turn!

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The increase in the revenue share on the other hand seems excessive at 10%, especially in the light of the fact that traditional radio is paying in the range of 5%.

Whats this bit about?
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« Reply #2 on: May 28, 2009, 09:34:21 AM »

tbh i have no idea, seems almost out of context?
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« Reply #3 on: May 28, 2009, 10:24:10 AM »

Increase in the revenue share sounds like theyre gettin money from the ads?
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« Reply #4 on: May 28, 2009, 11:49:35 AM »

Yeah, you didn't think the cartel would only want 1 bite of the cherry did you?
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« Reply #5 on: May 28, 2009, 11:58:22 AM »

Well if that is what theyre doing then thats a good thing right?! After all, isnt ad profits for musicians what we were discussing?
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« Reply #6 on: May 28, 2009, 01:34:51 PM »

Well, yes and no.

If the cartel setup their own sites available to download music from with ad driven support to generate income FOR THE ARTISTS then thats a good thing. If the sites are setup and run by others then they want a license fee and a cut of the ads? I don't agree with that at all, if you pay a website designer to build you a site, should you then pay him a % of any profits it makes you? If you strike a business deal over the phone do you pay your bill and a commission of the deal?
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« Reply #7 on: May 28, 2009, 02:05:35 PM »

**HEATED DEBATE ALERT**  Grin

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If the cartel setup their own sites available to download music from with ad driven support to generate income FOR THE ARTISTS then thats a good thing.

Never happen, the cartel are not Google and for them to setup anything that will come close to matching youtube for plays would be like trying to spear a falling turd - impossible! The best they'd get is a fraction of the plays that youtube has and a fraction of the revenue.

Quote
if you pay a website designer to build you a site, should you then pay him a % of any profits it makes you?

Of course not... and its the wrong analogy. How about this... Youre a photographer, you ask a web designer to build you a gallery style website. He builds you a site you've paid him for it therefore its yours to do what you want with! If a random web designer builds himself a site and then starts displaying your photography and making money from it then damn right you should get a cut! Its your intellectual property!

You keep saying that Youtube is a great way for artists to promote themselves as its a great way to get their vidoes and music in front of millions of people but what you dont say is how they turn that promotion into anything that pays their bills? Youtube is great promotion for big groups who can plug a tour or a t-shirt but 99% of musicians arent in that category and all they get from youtube exposure is more youtube exposure.

If you took (stole) a load of my music, put it on one of your sites and started making money from the ads with that music then you are using my property to make money. Fair enough, the "pennies per play" license is the wrong way to do it but why cant youtube start giving artists (or PRS - im not getting into a debate about where the PRS collections go coz thats not the issue - they are supposed to be collecting it and giving it to artists so lets assume they do that) a cut of the money... why cant i make money out of my own youtube channel?! There are sites (ive forgotten that big one?) that do that so why not youtube as well?
« Last Edit: May 28, 2009, 02:08:18 PM by Matt Inertia » Logged

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« Reply #8 on: May 28, 2009, 03:36:52 PM »

**HEATED DEBATE ALERT**  Grin

Lol, bring it!

Quote
If the cartel setup their own sites available to download music from with ad driven support to generate income FOR THE ARTISTS then thats a good thing.

Never happen, the cartel are not Google and for them to setup anything that will come close to matching youtube for plays would be like trying to spear a falling turd - impossible! The best they'd get is a fraction of the plays that youtube has and a fraction of the revenue.

And exactly who's fault is that? The cartel have been snails, they have insisted on sticking to the old CD format whilst the whole world moved onto digital downloads. The signs where they for all to see in 2001 when after several years and incredible growth Napster was shut down. With the HUGE budgets they have at their disposal you would think an enourmous gloabal music store ad driven or even paid (at sensible prices) would have been obvious? After all youtube didnt come along for 4 more years, a period that of course saw the cartel sueing everyone in sight instead of moving their own business model forward.

Quote
if you pay a website designer to build you a site, should you then pay him a % of any profits it makes you?

Of course not... and its the wrong analogy. How about this... Youre a photographer, you ask a web designer to build you a gallery style website. He builds you a site you've paid him for it therefore its yours to do what you want with! If a random web designer builds himself a site and then starts displaying your photography and making money from it then damn right you should get a cut! Its your intellectual property!

Actually thats not a fair analogy at all, if another designer took my work and generated the global interest in my work i was to lazy or too stupid to create then i should be:

1. delighted at all the free publicity im getting helping me sell out my worldwide gallery tour making me milllions.

2. delighted someone else is busting their butts to promote my work and all the while PAYING ME A LICENSING FEE ( ala prs!)

You keep saying that Youtube is a great way for artists to promote themselves as its a great way to get their vidoes and music in front of millions of people but what you dont say is how they turn that promotion into anything that pays their bills? Youtube is great promotion for big groups who can plug a tour or a t-shirt but 99% of musicians arent in that category and all they get from youtube exposure is more youtube exposure.

Actually, ive told you many times how artists make the money, its from the HUGE tour revenues they make, concert tickets, merchandise etc. The problem is Matt, you are dealing with 2 entities under 1 banner and not making the 2 distinct, let me explain.

Artist - creates and/or performs the music
Record company - does very little except some promotion, yet take most of the money from CD sales

Record companies make not only "their cut" on the sale of a CD, but also most of the "production costs" such as pressing the CD's, cover design and production etc are also going to the record companies as the own the CD pressing and cover companies. So basically artists earn relatively little from CD sales.

 Now, you can see why the Cartel are trying to stiffle online sharing and sites such as youtube, cause they are missing out on a big peice of the pie, in fact almost all of it, as with digital music, they cannot make a cut on the artwork, and the CD pressing. In fact they are finding it very tough to justify their earnings at all, as artists can self promote now using sites like youtube. This is why the music cartel turn to sueing people, creating fear, illegally DDOSing consumers connections, illegally searching innocent peoples houses without a warrent, etc. They are out dated, artists need them less and less and they are doing everything they can to cling to an out of date business model. The biggest issue they have got now is, CD sales are dropping and they have missed the boat, and frankly good ridance.

If you took (stole) a load of my music, put it on one of your sites and started making money from the ads with that music then you are using my property to make money. Fair enough, the "pennies per play" license is the wrong way to do it but why cant youtube start giving artists (or PRS - im not getting into a debate about where the PRS collections go coz thats not the issue - they are supposed to be collecting it and giving it to artists so lets assume they do that) a cut of the money... why cant i make money out of my own youtube channel?! There are sites (ive forgotten that big one?) that do that so why not youtube as well?

Ok, lets look at it another way Matt, lets say your own personal music site gets 50 visits a day, and you make £10 a day in sales a day.

I like your music and decide to put it on my site, which is a much higher traffic site, very soon, i am getting 50,000 hits a day on pages containing your music. Very soon, MTV are knocking on you door asking for interviews, your getting 10 calls a day from agents wanting to manage you, sooner or later to take one on, who grabs you some good celebrity invites and its not long before you are playing the Brixton acadamy and other such venues, 5000 people a night paying £15 a ticket, plus all the spins offs. Next thing you know, David Beckham is on the phone offering you £100k for a 60min set at his next celebrity party and from there the skys the limit. Now i understand this is a little simplistic, but you get the idea.

Now, whats it gonna be? sticking to your £10 a day, or would you like some free publicity?

Bottom line is, the space between artists and their incomes is currently being hogged by a bunch of greedy dinosaurs, and its time they are squeezed out, lets make one thing very clear, i am ALL for ARTISTS getting paid, just not the useless fatcats in the middle. If you look around the p2p news and other music and tech sites you will find there are many artists who are very very annoyed with their record companies, we have already seens some high profile artists telling the world so, some even going it alone.
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« Reply #8 on: May 28, 2009, 03:36:52 PM »

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« Reply #9 on: June 03, 2009, 11:57:03 AM »

I think i have this debate all sewn up  Wink but just in case, heres a little article that caught my attention. Another case of record companies using and abusing the artists.


Quote
Hiphop group Advance Patrol was used by the music industry in the Pirate Bay trial, portrayed as artists suffering losses from illegal downloading. However, the group itself was never consulted, and they are now striking back at the music industry by releasing their new album for free - on The Pirate Bay, of course.

advance patrolDuring the Pirate Bay trial, the prosecution showed how various torrents linking to infringing material could be downloaded from the Pirate Bay, including an album by the Sweden-based hiphop group Advance Patrol. The music industry lawyers then claimed that the Pirate Bay was aiding in copyright infringement and that the artists and labels were losing millions of dollars.

Interestingly, the bands and artists, including Advance Patrol, were never informed that they were to feature in the trial. Even worse, Advance Patrol feels that they were abused by the labels, as they are using BitTorrent themselves, and encourage their fans to do the same.

“We never asked to be plaintiffs in this case,” Gonza from Advance Patrol explains. “They used us as scapegoats in a fight in which we don’t wish to participate. We refuse to be used in a war against our fans.”

Gonza further explains that the people who download and share the band’s music are some of their most dedicated fans, not some criminals. To show how wrong the music industry was in targeting The Pirate Bay, they have decided to share their latest album “El Futuro” for free.

The Pirate Bay crew is delighted with Advance Patrol’s statement. “In the case against us the music industry used many artists without asking them first. The cooperation between us and Advance Patrol shows that not all of those who were plaintiffs wanted to be a part of the Spectrial circus.”

“Earlier we’ve seen the hip hop artist Max Peezay drop out of the trial proceedings, and when we’ve spoken to other artists they were upset as well. This shows that artists really like the internet, and of course - we love them right back,” we were told.

More and more artists are speaking out against the harsh anti-piracy efforts of the music industry lobby and the alienating effect it has on fans. Several top artists including Robbie Williams, Radiohead, Iron Maiden and Travis even founded their own lobby group, the Featured Artists Coalition - to stand up for their own rights and those of their fans.

Advance Patrol’s latest album can be downloaded via The Pirate Bay, and they encourage everyone to share it with as many people as possible.

http://torrentfreak.com/artists-abused-in-pirate-bay-trial-strike-back-090602/

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« Reply #10 on: June 21, 2009, 01:32:53 PM »

Just when businesses thought the economic downturn couldn't get worse, the music cartels are now looking to increase their charges to play their artists music as background. We are of course in classic Cartel style not talking about small inflational increases, as they have a failing business model to support, instead they are looking for up to 2000% rises. After reading the article below, its pretty clear most businesses will simply either not play music, or will switch to music that doesnt qualify for payments, this move will therefore likely see a backfire and a reduction in cartel incomes, im sure this will see Matt outraged as he was when youtube/google refused to pay hiked up rates Cheesy

No doubt the next move will be to apply pressure to other areas of cartel income to compensate for the dip in income they are about to experience in this sector due to their own GREED!

http://www.zeropaid.com/news/86460/aussie-record-labels-demand-5-pmember-gym-tax/

Quote
Also wants almost $20,000 from restaurants up from $125, as it increases fees to play background music in cafes, restaurants, gyms, and everywhere else, but some say they’ll simply switch to classical music.

The record industry seems to get more desperate by the day as music fans switch from physical media to digital, so it’s no surprise to learn that it’s trying to extort a captive audience in Australia – the businesses, large and small, that play background music for customers.

The Phonographic Performance Company of Australia, a group representing more than 750 record companies, and which is the licensing body for the “broadcast, communication or public playing of recorded music,” is demanding a huge increase in the fees businesses pay per customer for the ability to play copyrighted music. In some cases the increase will be some 2000%!

Just how much are we talking?

    Mid-sized restaurant (120 seats): from $125 to $19,344 a year.

    Small restaurant (50 seats): from $84 to $16,016.

    Cafe (50 seats): from $62 to $10,010.

    Smaller cafe (30 seats): from $124 to $5864 a year.

    Gyms: Up from 96 cents a class capped at $2600 a year to $4.54 per member a month.

It claims the amount they currently pay is extremely low and doesn’t fairly compensate the record labels, but if a restaurant’s licensing tab goes from $125 to $19,344 I’ll be amazed if any of them continue to play music, and if they do it’s certain to be added to the price of a customer’s meal (maybe there ought to be a music free option, where if you wear earmuffs you don’t have to pay the fee).

“The rates we have historically charged are barely nominal and we are looking to establish a fair return,” said PPCA chief executive Stephen Peach. “The cafe owner just has to ask if the music is worth it, and if it isn’t they don’t have to play it.”

Bill Healey, Director of national affairs for the Australian Hotel Association, says it’s pretty unfair for the record labels to try and save itself on the backs of businesses such as those in his industry, especially during the economic downturn.

“The multinational record companies are obviously trying to reposition the cost of music, but they don’t understand the economics of the businesses they’re targeting,” he said. “Businesses just won’t play music or they will play music that won’t incur a PPCA fee like classical music.”

One of the more maddening proposals is the $4.54 fee it would add to the price of a gym membership. It had previously been 96.8 cents per class for all the recorded music they play, which works out at just 4.8 cents per person in a class of 20 and 2.4 cents per person in a large class of 40. It now wants $4.54 from everybody.
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« Reply #11 on: June 22, 2009, 08:34:06 AM »

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im sure this will see Matt outraged as he was when youtube/google refused to pay hiked up rates

But this is targeting the profits of small businesses, some of which are struggling and most of which dont make millions of dollars profit from the music they play. Cafes and gyms make their money from the services they provide. Youtube make there money from providing content, a large part of which is music that belongs to someone else.

The two situations are poles apart.
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« Reply #12 on: June 22, 2009, 08:50:24 AM »

The two situations are poles apart.

Actually not at all, they both have 1 HUGE thing in common, as businesses, they have a CHOICE, they get to choose their suppliers, and if suppliers charge too much, they can be dropped. Youtube dropped one of their content suppliers, and now many smaller businesses will be doing the same pretty soon. If you mention the word choice or customer to the entertainment cartel they will look at you bemused, they only understand $ signs, nothing else.
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